Chauvet-Pont-D’Arc by Marc Alexander Valle

One of my earliest memories of your grandmother is learning how to spell words. She would draw a picture and write the word beneath it. I asked her multiple times to run this lesson for me, and every time she did do it for me, she’d place a cup of juice with Vienna Fingers on the kitchen table by my side. 

There was something about a visual representation of an idea that blew my mind. I’d ask her to draw different words to see what they look like. By then, I’d seen every one of those objects in artistic depictions, but there was something magical about your grandmother doing it before my eyes. She knew the world in a way that I couldn’t yet process, and the drawings solidified her power in my mind.  

Sometimes I swear I can feel abstract ideas as tangibly as I can feel the keys on this computer. I can perceive their texture and their weight. Sometimes I can see the cost of manifesting them into the world, and sometimes I can see their consequences. This phenomenon has fueled my art and maybe my humanity.

I’m sure there’s an earlier memory of your grandmother somewhere in my unconscious. I’ll keep it there until it needs to be replaced, and I’ll keep the memory from you until something more pressing needs to be said. I’ve learned that it’s better to see loved ones at their greatest moment if you can help it. For everything else, there’s Vienna Fingers and juice.

by Marc Alexander Valle

It’s Always in the Corners (Latest Draft)

I let him hit me. Not punch me and not “I let him” as in “Sure! Go ahead and hit me” but I let him hit me. He’d push my head with an open hand. I told him to stop, but he didn’t. He’d hit me more than I’d like to admit, and sometimes I even told myself we were really friends.

Some time ago, I started to believe that it began in Algebra class, and that I was Tourette’s-and-facial-tic-free until I sat in front of Axel Sidezski that sophomore year of high school. I don’t remember having or feeling the tics before then, and for years I felt shame for knowing that I let him do that. It took many more years to begin to understand why I did. 

I googled searched Axel the other day, asking two questions: Is he still the same? And is he doing better than I am? I searched for 10 minutes, and I only found white-page profiles of other Axels. Nowhere could I find that parted, reddish-blondish hair. Nowhere could I find that smirk. 

I made a promise to myself long ago. I told myself that I would write things and create things of immense beauty. I told myself that if the Axels of the world ever came back, I could do one thing better than they could, one thing no person can take away. 

Is he still the same and is he doing better than I am? 

I don’t even think he’d remember my name.

The Dream Ebbs and Flows

I remember asking the Ritter Elementary School librarian for a book on Spielberg in the 1988-1989 school year. I waited two weeks for it. Every other day, I’d bother her about the book, but the date of arrival never changed.

At age 8, I wanted to be Steven Spielberg. He made daydreams come to life. He turned regular people into giants. A rainbow always shined in the end, and evil always lost. My world was my family, my home, and a movie theater, and I could see no other calling.

At age 42, I just want to live well and write well and maybe have a wider audience. I try and sometimes succeed at the first one every day. I feel better about the second. Maybe I’ll have the third eventually, but I think I’ll be okay if it never happens. Until then, I finally own that Spielberg book.

Happy 548 Birthday!

One-and-a-half trips around The Sun today, Emile. There will be no party, but I celebrate all the same.

You are here. You are healthy and strong and absorbing new words faster than I ever could. You were meant to be here and will inherit the world in ways that I could not.

There was a time when my head was a carnival of light, my son. Thoughts, ideas, and emotions all intertwined in a kaleidoscopic feast, and I believed that if I just put it out there, put it on paper or film or on stage, people would understand me. I was convinced I was here to save the world and show them things hidden under the blanket of their fixed views and idealogy.

But no one seemed to care, and I engaged in a protracted and misanthropic self-conversation that robbed me of joy and gratification with even the most delectable of occasions.

It doesn’t matter what they think of me anymore, at least not like it used to. I see the psychedelic-Kodachrome cavalcade in your smile and I am reborn. It makes its way down the abandoned roads of my soul, and some days I think I can see barren fields filled with life again. I ask myself, “How could I ever have allowed others such power over me? How could anyone torture themselves as I did?”

I will be your audience, my son. I will be your witness. I know that if I can do anything it will be to see you in your most noble and extraordinary wardrobe, a tapestry of confidence and sweetness patched together with no visible seams. I will be your champion. The world doesn’t know what they’re in for like I do.

Happy 18 months old, Emile. We’ve come so far in such a short time, and we have miles and miles to go. Sometimes I wonder what I would do for a few miles more.

Stuck

When something doesn’t go Emile’s way, he says that it’s stuck. When he can’t open a door, it’s stuck. When a ball or toy is lodged under something, it’s stuck. When he can’t push his carriage across the sidewalk, it’s stuck. When an object is too heavy to lift and throw outside of his playpen, it’s stuck. Stuck no longer means stuck to him. Anything that serves as a source of frustration and forces him to solve a problem, anything that he can’t control and must learn to overcome, anything that he can’t manipulate and must learn to leave alone, all of it is stuck. With that said, I have a possible name for my future book of stories and essays that I’m writing for Emile. The World Is Stuck. 

Music: The Letters to My Son Series

Nearly a century and a half of music recordings and centuries more of musical compositions are at your disposal. Use it. Find it. Let it talk to you. It can help you at any time. Never expect it to solve the problem, but music can expose the underlying issues of your life that make the problem seem real. 

I was sad in my early 20s. Very sad. Everything was tragic, and everything I tried to do seemed to end in failure. I felt as though I couldn’t even get a hello from people and from the world. I wanted it all to end sometimes. Music was that hello. 

It talked to me directly, and it made me believe that there are and have been others just like me. They think like me, and they feel like me. Music was the code between us, and the message was, “I am an artist.” Music told me that my role was to reevaluate norms. I was never to be satisfied with what we assumed to be true, but I was never to change my core beliefs. There was nothing wrong with me. I was normal. It was the conversation between the individual and the world that was distorted.

There’s a link between youth and music and the way it shapes our views. How will you allow it to shape yours?       

An Evening Note

AN EVENING NOTE

(from a father to his 11-month-old son)

by Marc Alexander Valle

Much has already been decided. It was out of my hands. Out of your mother’s hands. Out of anyone’s control. I see it as you sleep soundly on this bed right now. Your mother’s dark blonde hair, your nose like mine, your cheeks like mine, your chin like mine, all out of my control. I orchestrated none of it. It was all God. It was all The Universe. It was all Nature. It was all Luck. Fate. Destiny. Chance. The Gods. Truth be told, I delivered some DNA that Odin would be proud of, but it was all in a genetic pool that I had no command over. And you are an extraordinary specimen, my son. Cary Grant. Marlon Brando. Superhero illustrations. Your face, so handsome and symmetric. The doctor said at your last check-up that you have a mug that she could stare at for hours and hours. I’d call her a weirdo if it weren’t so true. But it is true. And it was all decided without my authority and I am in love. 

But what of these tentacles? These unwelcomed circumstances that are out of my dominion. What of the fact that your father is a peasant. And his father was a peasant. And his father was a peasant. I am a peasant. I don’t make too much money. We live with my parents. I have little saved up for retirement. I’ve never really traveled. I’ve never eaten crab in Maryland, and I never had Bar-B-Que chicken in Memphis. I’ve only been on a plane once. I get most of my news from mainstream outlets. I can’t get my weight down. And I buy dumb stuff on the Internet that I don’t even need. I am a peasant. And you will see your father struggle as a peasant. And work like one. And eat like one. And play like one. And maybe even love like one. 

As you sleep soundly on this bed, I know that forces of the natural realm have already decided some things. Wherever you go, one way or the other, you will carry the ZIP code that you were born in. For that I’m sorry. 

But what if I told you that I am a king? What if I told you that I cannot be touched? That I am impervious to the influence of the masses and their mob mentality?  That the walls of mediocrity will never cave in on me? I am a king. With a mind burning as bright as magnesium lit by a 7th-grade science teacher. With the world’s greatest ideas stewing in my subconscious like your grandmother’s Puerto Rican kidney beans. With thoughts and emotions deeper than an atom at the dead center of The Sun. What if I told you that I put people at ease and that many people trust me more than their own lawyers, doctors, and spiritual advisors? Would I even really need to tell you that? Will you see it for yourself one day?

As you sleep soundly on this bed, I don’t remember what a restful night is like anymore. By the time I experience it again you’ll be your own man, and I’ll be closing in on the end of this life. The tendrils of time, space, and causality pull us towards a state of pure energy once again, and the crickets outside have been chirping for a good two hours. I think I’ll lie next to you for now. Just for a little. Just until you wake. Just to watch you wake. Just for now. I will lie next to you.

Happy 10-month birthday, Emile. Daddy loves you.

It’s Always in the Corners

It’s Always in the Corners by Marc Alexander Valle

More and more I tell myself that it started in Algebra class, that I was Tourette’s-and-facial-tic-free until I sat in front of Axel Sidezski that sophomore year. That’s the connection I’ve made. I don’t remember having or feeling the tics before the age of 14. And I’m sure the syndrome is largely genetic, but something inside me believes that Axel lit the spark. 

I googled searched Axel the other day, haunted by two questions: Is he still the same and is he doing better than I am? I searched for 10 minutes and I only found whitepage profiles and I couldn’t verify that any of them were him. I remember he had reddish-blondish hair and like most of my high school, touch-and-go bullies, they always wore a sports team jacket or a sports team t-shirt but they never really played any sports. Would he have that same smirk in his new picture? I looked on twitter and instagram and facebook and even youtube and after 10 more minutes of turning up nothing, a voice in my head said to stop cyberstalking. I closed the laptop and went to bed. 

I let him hit me. Not punch me and not “I let him” as in “Sure! Go ahead and hit me” but I let him all the same. He’d push my head with an open hand. I think I told him to stop, but he didn’t. He’d hit me more than I’d like to admit and sometimes I even told myself we were really friends like I was Fredo in The Godfather and he was Moe Green and I don’t know why I’m telling you people this because I have so much shame for not hitting back that I blocked out exactly what happened and how it occured, but one thing for sure is that I believe there is a connection between the tics and his harassment. Like it kicked in right then and there in the middle of balancing an algebraic equation. And I’m not 100 % sure that there’s a connection but I’m 100% sure that I tell myself everyday that there is a connection. 

Are we really who we think we’ve become? Can we ever let go of the weight?

I told myself that I would write things that no one else could write and express ideas that most people can’t verbalize or even process, and I’ve gotten to a point where I at least feel that I don’t have much competition, all to stand up and tell myself that if the Axel’s of the world ever came back and I once again stood down, at least I could do one thing better than they can.

It started in a math class that I eventually failed, and it all tied in with dreams and ambitions and talent and ego and suffering and neurodevelopmental disorders, all to make me who I am today, at least in my imagination. Axel Sidezski wins the battle nearly everyday.

Is he still the same and is he doing better than I am? 

I don’t even think he’d remember my name. 

A Twilight-Hour Note (from a first-time father to his newborn son) by Marc Alexander Valle

Your Daddy writes to be heard. Your Daddy writes to let the world know that he’s here. Your Daddy writes because he feels that he has something to say, a message that needs to be delivered and pulled out of his gut like some-type of science fiction movie. Your Daddy writes to not be interrupted when he speaks. Your Daddy writes to be loved. Your Daddy hopes to be understood, but at this point feels that most people will never understand him. Your Daddy writes because he cannot say what he means on the top of his head without the other person giving him time to think or respond. If Daddy were to try to verbally express what you’re reading now, he would sound like the under-educated, working class kid that he was. Your Daddy writes because he’s an artist. Your Daddy is an artist, someone that sees things so hidden from the world that if he could package it the right way and the right opportunity came along, it could become a product with an assigned value. His name could become a commodity in the world market, a perpetual machine that inflates worth based on perception alone. Your Daddy could be somebody.

Daddy never wanted to see the world in terms of transactions. Daddy was a romantic that just wanted to be loved and heard and seen without making a scene and just being good. This has been the cause of much frustration for Daddy. Sometimes it’s been the cause of great sadness. How can we express ourselves without being rejected or feeling that we have to alter the message? This is and has been Daddy’s life theme. This is and has been Daddy’s monster. From childhood battles with classmates and peers to adulthood interactions that seem so small but carry so much weight, this is The War, the search for validation without having to compromise one’s belief system. 

Your Daddy’s words have protected him from this reality, from becoming a casualty of The War, full of contempt and venom and cynicism, and he’s glad that he found his words at such a young age. Your Daddy has ridden on his words like a cloud in jetstream, like the initial buzz from a hard drink, like a child running down a hill with his arms spread open and the wind in his face. I am grateful for the words as I am grateful for your existence. I am grateful for your existence as I am grateful for the words. This is why your Daddy writes. 

. . .

Emile, you have arrived. Daddy’s been waiting. I love you.